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SLAMedia is a publication of the news for the Science Leadership Academy community. Writers come from the student body in 10th, 11th, and 12th grades. We work in unison to create a functioning paper with biweekly postings on a variety of events.

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A&E

Terror Behind The Walls: Worth The Price?

November 3, 2017 by lpahomov Leave a Comment

Sanaa Scott-Wheeler

Staff Writer

Want to get scared?

Eastern State Penitentiary is a Philadelphia landmark located at 2027 Fairmount Avenue. The old stone prison was first built in 1829 and used until 1971. On the inside are cells and long cold corridors.

Every year, when Halloween comes around, it is transformed into a haunted house, known as Terror Behind The Walls.

People I know who have gone in the past raved about the experience. This year I decided to go with a group of friends to see what the hype was about.

The attraction price ranges from $17 to $45 depending on when you take your tour, and how big your group is. The steep price definitely lowered my excitement to attend. Who wants to pay $30 for an experience that only lasts 2 hours? Not I, sir. There is a chance you will not be scared and will have wasted close to $30 (without a discount). What’s scarier: Terror Behind the Walls, or wasting money? If I am paying that much I better be dead or scared to death at the end.

Before entering, you have the option to buy a glow-in-the-dark necklace that enables the staff members dressed as zombies to bring you into new rooms, separating you from your group, which is scary on its own. However, when you buy the necklace it is not guaranteed that you will be touched. During your tour through the prison at no time are you allowed to touch the staff members disguised as characters inside or outside.

I personally got freaked out at different times while going through the penitentiary. Some things seemed so out of the ordinary. There were a few clowns that would pop out whenever you are least expecting it. There was never a dull moment, so stay alert at all times, even if you think you know everything coming at you.

Imagine this: you and your group strut through the prison smiling, “We got this!” “Nothing scares me,” someone says in the distance. You think,‘I got this’. You reach into your jacket pocket and feel where your $30 once was, your stomach drops, you already spent money- no turning back.

Your eyes gloss over the path ahead, you spot a red river spilling down the walls, the lights flashing, seconds apart, something’s moving down the hall. What is it? You walk slower, your group passes you, only a few steps ahead. It’s a man, he’s limping, clothes torn, but why? You squint to see, trying to make out his features, he creeps closer and he sees you before you have the chance to run. He grabs you, SNATCH, you scream a friend’s name, they hear you but they can’t see you. The zombie grips his hands around your throat, and starts to growl, eyes watering, the cool wind blows through the prison, but his breath is hot. His face People magazine width from yours. He spots another person and lets you go. You run to join the rest of your group.

I thought the acting could be a little more scary, while walking through some of the smaller hallways if the zombies didn’t grab you they would stare at you which didn’t have much of an effect. It could have been more interesting if the undead/ various other creatures chased you through the prison, so that way you have to run for your life.

All in all, the experience had its perks but also things it could improve upon.

I would say the admission fee should’ve been $23 so it’s affordable for everyone but no one feels like they’re getting scammed.

 

Filed Under: A&E

Song Review: The Storm by Eminem

November 2, 2017 by Lydia Anderson Leave a Comment

Kai Bradley-Gutiérrez de Terán

Staff Writer 

 

On October 6, 2017, the BET, Black Entertainment Television network, music awards took place with wins by Kendrick Lamar for best album of the year, DAMN, and best lyricist of the year, and Cardi B. for the best new hip-hop artist. Among all the winners and nominees was legendary hip-hop veteran Eminem, who has sold over 100 million albums worldwide, with a freestyle.

Eminem’s freestyle, called The Storm, is one of the most vibrant and explicit attacks against the new President of the United States of America, Donald J. Trump, since YG’s “FDT” released in July of 2016.

 

courtesy of Youtube.com

Eminem, known for his angry rap style, not to mention his amazing flow and creativity with words at getting his message across, rapped “And any fan of mine/who’s a supporter of his/I’m drawing in the sand a line/you’re either for or against/and if you can’t decide/who you like more and you’re split/on who you should stand beside/I’ll do it for you with this/Fuck you,” and ended with giving the middle finger to the camera. Eminem took a risk of losing fans and supporters with this line, as he is very popular in Montana, North Dakota, and Wyoming, all states in which Trump won by a large majority and states which have been known for their ties to alt-right and white supremacist movements, which have since Trump’s election increased their presence all over the country. This risk increased my respect for Eminem tremendously.

 

He showed that people in his position have to take a stand for what they believe in. He even acknowledged Colin Kaepernick with the line “This is for Colin, ball up a fist,/and keep that shit balled like Donald the bitch.” Colin Kaepernick thanked Eminem on Twitter, as LeBron James, J. Cole, T. Pain, and many other Black celebrities did.

He takes a shot at President Trump, rightfully in my opinion, for his lack of empathy and respect handling the crisis in Puerto Rico after the devastating hurricane Maria. Trump suggested that Puerto Rico did not deserve the US government’s help as they had a bad infrastructure system and went on to personally attack the mayor of San Juan, Carmen Yulin Cruz, Puerto Rico, on Twitter. Eminem also mentioned in his freestyle how the hurricane Maria, which affected not only Puerto Rico and other islands in the Caribbean, but many areas of the South of the US, seemed to bore Trump as it took him almost a week to mention Puerto Rico being more interested in ranting against NFL players and teams for taking a knee during the national anthem.

One of the most powerful lines of Eminem’s freestyle, The Storm, I believe is “What we got in office now is a kamikaze that will probably start a nuclear holocaust.” Pointing out how Trump is very self-centered and is looking out for his own personal advancement.

Eminem ends the freestyle “The rest of America stand up,/We love our military, and we love our country,/But we fucking hate Trump.” Which shows that to be a patriot is not to love the president but to love the country and to care for its people. It also made a direct counter-argument to Donald Trump, as he has said that kneeling during the national anthem was being disrespectful towards the military. Trump has tried to use the idea of patriotism and love for the army in an attempt to criticize his opposers.

Eminem is and has been very respected in the hip-hop world for his flow and also because he is one of the first white rappers to be considered “a great.” He has also worked with many other hip-hop legends such as 2Pac, The Notorious BIG and Dr. Dre. Even though he is in a predominantly African-American music industry, he has had amazing success. Eminem uses his platform to criticize the president of arguably the most powerful country in the world, the US, and also the president with the lowest approval ratings in the past 50 years.

At SLA, much of the community is against Trump and his administration and what they stand for. In comparison, Eminem is widely liked by those who appreciate hip hop and rap music and even by others who understand his skill level. It is understandable because of this, that when I have conversed with classmates at SLA, the general view is that Eminem slammed Trump and put him in his place.

Being a figurehead of white masculinity and ego, which has created and fueled hate and division for centuries in this country, Eminem went completely against this hate showing that people of privilege in this country can, and should, step up and take a risk to defend what is right and be a voice for those who are not allowed to have one.

While this freestyle does a very good job of sending a clear anti-Trump message it does have a weak flow. However, a choppy rap is expected in a freestyle as Eminem had to come up with all the words on the spot, showing his creative and innovative aspects. I guess not every song can be like “Rap God,” which got him in the Guinness Book of World Records for “Most words in a hit single.”

This freestyle inspires me to take a risk to give a voice to those who are silenced and to show empathy and sympathy to those being attacked in these times of division.

Filed Under: A&E

Album Review: Ctrl by SZA

November 2, 2017 by Lydia Anderson Leave a Comment

Lauryn Lewis

Staff Writer 

courtesy of Top Dawg Entertainment

Many people have heard the amazing voice of SZA on some of the hottest contemporary R&B tracks to have been released over the last few years but she had not fully developed into the artist she had planned to be. Yeah, she may have landed features on songs with Rihanna, Wale, and Kendrick Lamar, but no one really knew exactly who she was besides being a “feature” artist. She was ready to touch topics many women in music would not dare to explain. SZA decided that it was the time to take her career seriously as an independent artist. It was time to build her own brand.

SZA’s debut album, Ctrl, has emerged to become one of the most self-finding and praised albums of the year. The bluntness of her music allows fans to actually get a taste of who she is. SZA released hit singles including. The Weekend, Love Galore, Broken Clocks, and Normal Girl. She received recognition from some of the greatest artists in the industry including Beyonce, Jay Z, Kendrick Lamar. But how did she come in the path of these amazing artist?

Growing up, many people knew her as Solana. Solana was a lot more reserved than the artist we know her as today. Because she grew up in a household with two amazingly strong religions, Christianity and Islam. She was not really exposed to things that would get her mind off of religion and school. As she became a little older, her brother would sneak her music every now and then which she fell in love with. After graduating from high school, Solana found herself in and out of college until she realized it just was not the path in life that she wanted to take. By this time, she had finally decided that making music was her calling.

After releasing two soundtracks/mixtapes, SZA had caught the attention of one of the best rappers in this generation, Kendrick Lamar. Kendrick decided to sign her to his own inclusive record label, Top Dawg Entertainment. This came as a surprise to many because SZA happened to be the first female signed to the label. This deal lasted around 3 years until she decided that she would partner with both TDE and RCA as her record labels. Around this time, Ctrl was released.

There are a total of 14 songs on this album that has become a hot commodity. Each song gives a side of SZA that many of her fans have never seen before. She even revealed that this album was the artist she had been trying to find throughout her career. The album expresses emotions that almost any kind of female have felt during the period when they were trying to find themselves. The intro song for the album, ‘Supermodel’, expressed feelings of hurt and insecurity over men who have seen her as not enough of a good woman for them. As the song goes on, expressing her insecurities helps her release some of them.

Two songs on the album that relate a lot to each other are ‘The Weekend’ and ‘Love Galore’. Aside from them being the most popular songs on the album, they have both expressed relationships she has been in that have possibly been toxic. The Weekend describes what it is like to be in the relationship like a love triangle. The only thing is SZA takes on the role of the side chick, who is dominant, non-recessive, and proud of only having the man (of the love triangle) for the weekend. Love Galore, which features the artist Travis Scott, gives the perspective of being out of a relationship but wanting to be apart of it again as well as realizing that she deserves a lot better than the guy who did her dirty.

Yet another side of SZA is revealed through her songs ‘Normal Girl’, ‘Drew Barrymore’, and ‘Broken Clocks’. ‘Normal Girl’ describes what SZA wishes she could be to her lover. She yet reveals some more of her insecurities that her lover seems to see. SZA wants her clarification from her lover because he is who she confides in. ‘Drew Barrymore’, named after the famous actress is about living a life where nothing is in control and you are just letting things happen as they come. ‘Broken Clocks’ can relate a lot to any high school girl. Trying to focus on both school and your social life can get intimidating until you really choose what matters to you most. And you can not forget to mention the encouraging words from SZA’s mom. “If you don’t like me, you don’t have to fool with me. You don’t have to talk to me or treat me mean. I don’t have to treat you mean. I just stay out of your way. That’s the way you work that one.”

I believe that this album really showed her fans what she was capable of by showcasing her bold tones and feelings throughout the album. Fans of both R&B and Hip Hop have been looking for new artists to fulfill their musical needs by speaking of topics that most are shameful of. Women especially, feel like they should not air their emotions because they will be seen as classy. SZA pushes that stereotype to

 

Overall, this album deserves a round of applause because it gives you a lot of clarification on who SZA is as an artist and it can also help you find the person that you are.

Filed Under: A&E

Album Review: Thinking Out Loud by Young Dolph

November 2, 2017 by Lydia Anderson Leave a Comment

Mekhi Granby

Staff Writer 

courtesy of Youtube.com

Back in February, recording artist Young Dolph (Adolph Thornton, Jr.) was shot at over one hundred times in Charlotte, North Carolina after finishing his performance at CIAA Weekend. As he was in a bulletproof SUV, none of the shots penetrated and Dolph was left unharmed. The tension between himself and fellow Memphis natives/rappers Yo Gotti (Mario Mims) and signee Blac Youngsta (Samuel Benson) is believed to be the cause of this incident.

Two months later, Dolph dropped studio album “100 Shots” on April 1st, with a tracklist describing the incident and taunting the shooter(s).

Dolph landed in the hospital after being shot at again, this time in Los Angeles, California at a Hollywood mall in late September. He was released from the hospital two weeks later on October 12th and released an album the following week on October 20th. Titled “Thinking Out Loud,” the project foresees to be an extraction of Dolph’s mind after these near-death experiences. With his life heavily at risk, (God forbid) this could potentially be one of his last projects.

What’s the Deal
The intro, classic Dolph over an unusual techno-trap instrumental to open up the album. Doesn’t set the tone properly nor serves the mood of the album any justice. A super simple rhyme scheme throughout the song, unable to showcase Dolph’s lyrical capabilities. This, along with tracks 4 and 9 are a dumbed-down version of Dolph, I believe to appeal to the masses of today’s younger hip-hop/rap audience.

Pacific Ocean
Coming from nothing, Dolph is no stranger to appreciating and flaunting his success. On this track, Dolph rhymes about his position in life, children, material possessions, and abundance of women. His flow makes this one stand out, it’s a more lyrical, slower-paced song.

Point Across
Track 3, one of my favorites. Dolph went crazy on this one, the hook is excellent and blends seamlessly with his two verses. An impeccable flow plus an instrumental from Zaytoven creates this amazing addition to the album.
Drippy
Too repetitive for my liking, Dolph’s instrumental choice remains up to par but the lyrics and flow lacked on this track. Nothing worth noting here, you can skip this one.

Believe Me
Track 5, along with the visual, is great. Dolph filmed scenes of this video in the hospital while recovering. He reminisces of the journey getting to where he is now, morals about raising his children, and deserving all his blessings on this song.

All of Mine (feat. DRAM)
Track 6 has the best hook on the album. A surprising feature from DRAM provides melodic vocals perfectly complementing Dolph’s laid-back flow over a calm instrumental. I replay this song at least once every time it comes on.

Go Get Sum Mo
Track 7, the longest song on the album. Stacked with features, this track includes verses from Gucci Mane, 2 Chainz, and a chorus from Ty Dolla $ign. I like how no one seems out of place, I wonder what the collaborative process looked like. Not one of my favorite songs due to the lack of substance but a great song overall without a doubt.

Thinking Out Loud
Classic Dolph rapping about the usual: drugs, material possessions, women, guns, and money. He brings us directly into his mind, as the title states, expressing his thoughts in the booth. Being one of the more relaxed tracks, I’d recommend this for a kick-back setting or a long drive to sit back and reflect on life.

Eddie Cane
Track 9, pre-outro finishes strong with high-energy and a rapid-fire flow. Some scary movie piano like sounds can be heard throughout this track, the potential nod towards Halloween? Quality production by Buddha Bless supplies listeners with the last turn up song of the album, perfect for a party/club setting. A repetitive hook from Dolph ensures the catchiness of this one.

While U Here
A perfect outro to conclude this spectacular artistry, a track vocalizing the importance of appreciating/honoring your loved ones while they are alive. Reflecting on his lifestyle and becoming more cautious of his actions because of his observant son watching his moves are the highlights of this one.

Young Dolph displays the importance of timing and his determination to his craft with the release of Thinking Out Loud. A tracklist perfectly pieced together makes this great, stepping slightly outside of his comfort zone with multiple features unlike the project before this one. I’d recommend tracks 3, 5, 6, 9 and 10.

Filed Under: A&E

Movie Review: Happy Death Day

November 2, 2017 by Lydia Anderson Leave a Comment

Jeremiah Butler

courtesy of Shaw Online

Staff Writer 

Jason Blum’s [The Producer] and Christopher B. Landon [The Director] new “mystery and thrill” film, Happy Death Day is Number 1 at the box office over its first weekend with a total of $26.5 million from 3,149 theaters. I went to 40th Street’s The Rave Cinemas theater and was expecting a lot from this movie.

 

The movie starts out with Tree Gelbman [Jessica Rothe] waking up and going through her birthday. At this point in the story she has just woke up in Carter Davis’s [Israel Broussard] dorm room and is recovering from a late night at a party, she’s not in a good mood. While going to a surprise party her friends planned for her, she gets killed and wakes back up again. Then the cycle of being hunted then killed and waking back up again starts. Through each death, she doesn’t realize at first why this is happening and Tree’s growing friend Carter helps her a little bit to see who is her killer.

 

If you went to the movies and thought you were going to be scared out of your life, this movie is not for you. It was more mystery than the thrill and no horror at all. If you were to make a list of October’s scary, teeth rattling, keep you up at night movies then Happy Death Day would be somewhere near the bottom.

 

While watching the movie the audience made small remarks like laughs and gasps of disbelief of what was happening. I was expecting for screams and “Don’t do it” throughout the theater, but there was none. Delivering just that from the movie would have made the movie just a bit more engaging because everyone is into the movie and are so into the movie that they try to say things to the actors. Then generally it’s funny when someone says out loud what you were thinking about the movie.

 

Many can argue that Happy Death Day is fine just the way it is. It did make money in a lot of theaters and did create mystery throughout its plot, but the thrill was brushed over in a way, that could’ve been more meaningful to the need of fear I’m sure most were looking for.

 

“We wanted the movie to be scary, but we also felt that because of her situation and because she’s trapped. She’s trapped in the same day and it, therefore, becomes predictable that in the effort to solve her own murder she also can start manipulating things and that really lent itself to the humor I think angle of it all because she doesn’t care anymore she can do whatever she wants,” said Christopher in an interview with FilmIsNow Network.

There are movies that relate to the same plot Happy Death Day portrays. For example, Michael Tiddes [The Director] comical Netflix Original film, Naked. It’s Rob Anderson’s [Marlon Wayans] and Megan’s [Regina Hall] wedding day and Rob has to get this day perfectly right for his wife to be.

 

Both “Happy Death Day” and “Naked” are films that show how reliving one special day can change the overall outcome of how that day turns out for them. Imagine reliving a day like your birthday or the first day of school or a first date. At first, you’re annoyed and you panic because this is happening to you, but feeling this way I think is something that happens when your days are repetitive. Going to school, going home, doing homework, sleep. Going to school, going home, doing homework, sleep.

 

A merry go round of things that all happen with no change. I think both movies inspire the viewer to change it up and switch the leading events to get a better outcome. In the beginning of both movies, Tree and Rob had to redo a birthday and wedding day, because the outcome of each wasn’t what they wanted.

The movie currently wasn’t scary or made you stay up at night, but it did deliver some controversial thoughts about how we spend each day, after all a sticker on Carter’s dorm room dorm says, “Today is the first day of the rest of your life.”

 

Filed Under: A&E

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